Thursday, December 25, 2014

#Railroaded - An epic journey.. on the rail..

I will admit... I have been sort of crazy for a couple of months... but like U. Utah Bruce Phillips said... Crazy is a mental condition..

I have been mad.. and that is a reaction... I have been #railroaded !

Let me explain..

This is my 14th year as a railroad worker.. Being a railroader is already a stressful job, and for the last two years I have poured my heart into a campaign to stop ONE PERSON TRAINS...

Railroaders went up against a very large power.. and now we are waiting for Goliath to strike back...and the fight is not over...

#railroaded is a collection of railroad music form the campaign against the BNSF.. Against the corrupt side of the SMART Union. I am a very big thinker..I get consumed... working for the railroad is a lonely job, lots of time to think... lots of horse power.. commodities.. track... a empire of logistical networks and an agenda of mass corporate greed. The workers on the BNSF said no.. but... 


The Fight is far from over.. that is why we have been #railroaded

Hi$torically $peaking!

I am a musician, locomotive engineer, union organizer who dreams to tell this story far and wide... this is partly why I have gone somewhat mad.. This collection is 13 years of learning who I am.. as a railroader.. where I fit in.. in a very harsh climate. In a hidden culture.. In the scheme of many things....
In a Rolling Art Show and a Sub-Culture of a Sub-Culture.. My friends are located everywhere along the track.. seriously.. ghosts.. Rail Yard Ghosts.. haunt my dreams.. wandering gypsies sing my songs.. I sing theirs.. they are rolling and this driver pulls.. the weight... OVER!



Enjoy this recording. Share it far and wide.. Ask questions.. and for Joe Hill's sake.. Buy the fucking thing... it's a labor of love.. and an interesting look into a world that is and was very influential to many.. #FOLK singers love it.. the whistle.. the aura.. #country singers sing about it... I come from a long heritage.. Jimmie Rodgers - Johnny Cash - Pete Seeger - Woody Guthrie - Joe Hill - Eugene V Debs--- Many more.... Have all been...

#RAILROADED 



Sunday, December 21, 2014

The Mad Railroader Manifesto.. for Ramu

The Mad Railroader Manifesto.. for RAMU.

I am done with apologies. I once had a Shams-
but his name was Umar... and backwards like these memories and forward-
Like this dream I speak on this "longest night!"

I do not owe anything to this story, but must give my advice to silence my desire.
I miss the friend, and we once sat black and white, young and old.. to speak-
of duel alities.  and missions and visions... in circles we danced.
Seeped in explanations!

He said, "you must.."
And I said, " I know"
He said, "you should"
And I said "how do you?"
And he said...
and like this we spoke.. until the announcement came!
"Leave! You think you know?" but "come back!"
"After you find out.. and things come together.. the dreaming starts."

Dream with friends back home-
but I am done begging for rights to my story!

This is it..My MANifesto! I am raging to tell you a story of a boy who did love the tree..
of the man that did want something to talk about in the locker room..
I am longing to swirl in our conversations... in Old Louisville nights.. long ones.. like tonight..
like some sort of Last Poets hot and drunk from the wine... waiting for blue notes to play his flute while wailing voices... and NAY sayers  are bound in bamboo vibrations and then lulled to sleep by innocence.
Like this..
And then some...

I was your Rumi. Still am.. and you have been gone for too long.
I am screaming! and being consumed like a fly in a spiders web.. round and round but free..
And like your Humanifesto.. this is the beginning. I am of that age now when...
One Song was all I needed!

I could go on for nights-
 pinned to a breast or buttoned up for a cold trip into the dark... but..
I am not finished.
I am done with apologies-
Mad.. but not crazy!

JPW 2014 - 12-21 Nashville, TN









Saturday, December 6, 2014

#Ferguson, Children

I wrote this after reading several posts on Facebook. I grew up Catholic and being a union organizer,.. I understand the Jesus story and many of the stories in the book. Noah, and that boat.. yep.. got it.

I am working on a ship, and I may never sail on it but the problem we are facing in this country is Biblical in proportion! So, I wanted to respond.. and I was also very mad. Mad at the many racist posts that I read. Many of them... hurt deeply...

and I needed some inspiration. So, I listened to Martin Luther King Jr.'s speech from Memphis. The one when he was speaking to a bunch of Garbage Men.. people who were making the point that they were men! People, humans! That speech and the story surrounding it might be my favorite MLK moment.



I wanted to be part of the conversation. I didn't want to participate in angry debate. So.. I wrote a song.. We are missing the point again.... still after all these years and experiences.. #blacklivesmatter

#wecantbreathe and we are all God's Children! 

#Ferguson, Children 20142914

It doesn’t take much to imagine,
the jest of the stories spoken.
A group of people standin’ around a criminal?
And the word it was resounding!
Go on and throw that rock,
yet you be the judge and the jury!

(Chorus)
We’re missin’ the point again!
Cause?.. We can’t seem to look past the end of our swords.
We are all God’s Children!

(They), put Jesus up on the cross.
Flanked by two of the worst from the street.
He was jabbed, scorned and mocked by all.
His own people, standin’ in the street!
Yet, he cried out Father, forgive them,
They know not what they do.

(Chorus)

And what about that Good Samaritan?
The message is BLACK and WHITE!
Two men of God were walkin’ by,
and they didn’t do nothin’
and I know it’s dangerous territory,
To possibly love thy enemy!
But how can it be against God’s law
to Love his Children!

(Chorus)

(They) say Jesus died for our sins,
but I say he was executed!
And that put the word in action!
And the moral can’t be disputed!
It is WE that is up on that cross,
And a sickness has spread across this land!
When we fight for punishment and not forgiveness!


Chorus





Monday, November 10, 2014

John Henry - a good place to start

You must know where you have been, to know where you are going. So, I must explain... I got a job in 2001 at the Railroad. When I was hired on, things pretty much had been the same for a while, but something was getting ready to happen on the railroad. Something that would change the way railroading had been done for decades. The Locomotive Engineer, the person in the Engine, the hogger, was getting ready to be "cut out" and "set out" of working in the yards. The RCO box, switchman, AKA Groundhogger was getting ready to take over. 

The craft of Locomotive Engineer was being threatened by computerization! The person who blows that lonesome whistle, just might not be a person in the near future. As a folk musician, this opens up a serious invite for romanticism. Our most celebrated musician... the player of the lonesome whistle...

 is getting kicked out of the band!



I made a CD in 2008 called Music For Modern Railroaders. It started in 2006 as one song that made fun of our new union contract. Hub Engineer.. I'll tell that one, when we get there.. So. Here we go.. I'm gonna get you lined out.. and cut in.. and start with the first song from my first CD. John Henry 2007. I took me a little while to figure out that I was a folk singer but there was plenty of examples of what to do and how to do it. I grew up in a very folk oriented German Catholic family and also grew up around John Gage a local folk singer.. So Naturally, I put 2 and 2 together and started down a track I knew pretty much nothing about.

I had never heard of Utah Phillips and had no knowledge of a great folk music tradition. I knew who Pete Seeger was and knew about Woody Guthrie, but Joe Hill and a massive union tradition of songwriting... I knew very little of, but something was going on at the Railroad and I knew it needed to be told. The first shots had been fired! Extra! Extra! Read all about it!!

Trains are being run by computers! The Locomotive Engineer craft is in danger of extinction!

I was an RCO Operator, and carrying around that box, sucked. Engineers would look at you like you were some sort of scab. 


That box represented to them something vile. Something of a Civil War had broke out in the rail yards. Brother against brother. It was intense.

Looking back on the situation now, I can understand why the Engineers were so upset. I also understand why the railroad Barron's of the day decided to take advantage of a perfect storm. Railroad Retirement reform had just been passed and there was getting ready to be a serious turnover. The work force was much younger and had not experienced the agreements that got rid of the caboose, not to mention we RCO folks really had no clue what to do. We had no say in the matter. We were just pawns in a game of chess being played by the Railroads and foot soldiers in a long standing historical war between the Brotherhood of Locomotive Engineers and The United Transportation Union.


There really was a John Henry in Osborn Yard working down in the bowl. I remember nights working the original 3 man crews hearing about a war on the horizon called RCO. John Henry, who was getting ready to retire would say " Aww, I don't care, I won't see heads or tails of it, i'll be gone, boys!"

There is a lot of Slang in this song and the boy's loved it. It was a story about them. It made fun of a situation that we all pretty much hated to be in.

Bowl - the receiving part of a hump yard where railroad cars are classified for destination.
Switchman - A yard craft that was getting ready to be eliminated.
RCO - Remote Control Operator - AKA Ground Hogger
Hogger - Locomotive Engineer AKA Big E
Shanty - Yard Office where crews gather for paper work and to eat. Aka Break room.
6022 - Was CSXT engine 6022,  one of the first class of EMD GP40 to be retrofitted with RCO
Poll offline and Boxes linking up - The Remote had to connect to the RCL aka Remote Control Locomotive. This process sometimes got a bit wonky. 
The East - A track used to pull out long cuts of cars that had been put together
Convert one today - When the RCO boxes would't work. The Engineer was called in and the job converted back to conventional. engineer and two switchmen. 

Next up.. will be Nashville Bound. A tune about long hours and what it's like to work a road job. If you are interested in this music, please download a few tunes. Thanks! Railroad Music is the thread in the quilt called Americana! Get some thread here... CD Baby... clickity clack. 






John Henry 2006 jp rufus porter to all my brothers and sisters in

The BLE&T and The UTU!

Well John Henry he was a locomotive engineer

Workin' down in the Osborn bowl.
And he looked at his switchman said you
Better git to work.
We’re gonna beat that RCO.
Gonna beat that RCO!

Yankin’ and a Pullin’ on them cars with his
Switchman working as fast as he can.
Ol’ John is a thinkin  the whole time,
A Machine aint gonna beat a man.
A machine aint gonna beat a man.

Well the groundhoggers came out of the shanty
And they looked at the 6022.
Said to each other as they switched on their boxes,
Ya know we got a lotta work to do
Ya know we got a lotta work to do.

The groundhoggers were havin a little problem
They couldn’t get their boxes to link up.
Between a poll off-line and a comm loss,
They wer’nt having a very good time.
Seems like it happens everytime.

Well the groundhoggers hollerd at the bowl.
BOWL TOWR
We’re havin a problem linkin up.
We’ve tried everything we know how to do.
I guess we’re shit outta luck
I guess we’re shit outta luck.

The tower hollers to John Henry.
Come and get this engine outta the way
It’s blockin the East and we gotta pull some cars,
I guess we’ll convert one today,
It seems like it’s better that way.

The groundhoggers sat in the shanty,
Waitin for a Big E to come and git er done.
John Henry and his switchman all ready pulled 300 cars
That RCO job pulled none.
But it’s safer when you sit on your bum.

There is a reason for this story,
Corporate greed is killin this land.
If we don’t do something and ORGANIZE.
Say hello to the ONE MAN PLAN.
That’s talkin Union!
They wanna run trains with one man.


Roll the Union on!!

Wednesday, October 29, 2014

Precious Memories - Sarah Ogan Gunning


The Kentucky Industrial Workers of the World Presents!
Precious Memories
a new play by
Si Kahn
Starring
Sue Massek
Thursday November 20th
7:30 pm 
Chapel of St. Phillip Divine. 
230 Woodbine St.
Louisville, KY 40208
$15.00
contact
JP for more info
502-553-0495
SUE MASSEK STARS IN SI KAHN’S NEW MUSICAL PRECIOUS MEMORIES


To hear Sue Massek’s high lonesome voice and frailed open back banjo is to travel 80 years back in time.

When Sue takes the stage in Si Kahn’s new play with music Precious Memories, she time travels all of us back to 1932, to the Bell County, Kentucky coal camp in which she was born and raised.

But she doesn’t just transport us, she mesmerizes us.  Long time folk and bluegrass DJ Jim Rogers, who was in the audience when Sue performed Precious Memories to open the first ever Northern Appalachian Folk Festival in Indiana, Pennsylvania in September, 2013, wrote to Si Kahn the morning after:

“When one woman on a stage can hold the attention of an audience for nearly 90 minutes, you know something special is taking place.  I believe you've created a masterpiece, and you've found the perfect person to deliver it.  It was truly a privilege to be there.”


It’s no surprise that Sue Massek can generate that kind of musical and artistic power. She’s a founding member of Kentucky’s award-winning Reel World String Band, which celebrates its 35th anniversary this year.  No less an authority that Lily May Ledford of the original Coon Creek Girls wrote:

“You don’t see many people up on stage who’ve got fire.  But you girls have got it.  Lord, you girls are good!”

A master artist for the Kentucky Arts Council's Master/Apprentice program, Sue Massek has taken her music as close to home as the Eastern Kentucky coalfields and as far away as Italy.  Most recently, she performed Precious Memories for a reunion of women coal miners.  Marat Moore, author of the book Women in the Mines: Stories of Life and Work and a former miner herself, wrote afterwards:

“Sue Massek blew us away in her portrayal as Sarah Ogan Gunning.  Our audience of women miners wept, laughed, sang along, and rose to cheer Sue at the final curtain. We left inspired and newly aware of the history of struggle and the power of ordinary people.”


Sarah Ogan Gunning certainly fits that description of “the power of ordinary people.”  A self-described “miner’s wife” from Bell County, Kentucky, she watched one of her children starve to death and another die of tuberculosis; she herself lost a lung to the disease.  One brother was killed in the mines and another disabled; her first husband died of black lung when he was 32.

It was the old time music of the mountains that helped keep her going.  She shared with her brother Jim Garland and her half-sister Aunt Molly Jackson a great oral family collection of traditional songs, many of which were recorded for the Archive of Folk Music at the Library of Congress.

It was the music, too, that took Sarah, Jim and Aunt Molly to New York City’s Lower East Side in the early 1930s, where for the first time in her life Sarah found recognition, singing with Woody Guthrie, Huddie (“Lead Belly”) and Martha Ledbetter, the 15 year old Pete Seeger, becoming friends with some of the great writers and actors of that time, from John Dos Passos and Theodore Dreiser to Sherwood Anderson and Will Geer, later to become even more famous as Grandpa on The Waltons.

Precious Memories takes place in real time on September 4th, 1960, the day on which Sarah’s half-sister Aunt Molly Jackson was buried.  By that time, Sarah was all but forgotten, living in a basement apartment in a run-down section of Detroit, only singing in church and to the four walls.

Three years later, on October 8th, 1963, legendary folklorist and labor historian Archie Green, who had been searching for Sarah, knocked on the door of her basement apartment in Detroit. 

For the next 20 years, Sarah Ogan Gunning brought and taught her songs, both old and new, to people all over North America.  She appeared at the Newport Folk Festival, singing from the same stage as Joan Baez, Bob Dylan and her old friend Pete Seeger.  She sang at the Smithsonian Festival of American Folklife on the mall in Washington DC, she sang at Carnegie Hall, and she served as an inspiration and mentor to many young women musicians, including Sue Massek.


On November 14th, 1983, during an evening spent singing with family and friends, Sarah Ogan Gunning quietly and peacefully slipped away. 


With over a half century of performing experience, Sue Massek’s journey has taken her throughout the United States, Canada, Italy, Guatemala, and Nicaragua. She has performed as a solo artist and as banjo player for The Reel World String Band since it beginning in 1977.  For over 37 years Reel World has used its music as a tool for social justice in venues as diverse as community centers in the coal fields of Appalachia to the Lincoln Center in New York City.  They were the Kentucky Conference for Community and Justice 2011 Lauren K. Weinberg Humanitarian Award Honorees.

Sue has worked as an artist in residence in schools throughout the United States for over 3 decades including dozens of residencies in Kentucky through the Kentucky Arts Council’s Artist in Residence Program and Very Special Arts Kentucky.

Sue has completed several folklife resource surveys as Kentucky’s very first Community Scholar and she is now a Master Artist for their Master/Apprentice Grant Program.  She also has apprenticed under several legendary Kentucky artists including Lily May Ledford, Clyde Davenport and Blanche Coldiron, as well as working with nationally recognized traditional artists, Oscar Wright, Jimmy Driftwood, and Guy and Candie Carawan.

"Here's to Sue Massek, consummate musician and social activist. Sue brings together a light touch on the banjo, a fine representation of traditional mountain music, a polished skill at songwriting and a genuine dedication to social justice. She is a delight to hear and a pleasure to work with."
Guy & Candie Carawan


Sue has recorded three albums as a solo artist, Precious Memories: The Songs of Sarah Ogan Gunning, Brave is the Heart of a Singing Bird and Searching for Shady Grove.  Reel World has recorded seven albums over the years and appeared on several other compilation projects.  As a songwriter, Sue’s songs have been played in over 21 countries around the world. Her song Brennen’s Ballad was the inspiration for award winning writer, Silas House’s book, Recruiters.

Sue has worked as a cultural organizer for Kentucky Foundation for Women, Appalachian Women’s Alliance and for the Kentucky Arts Council as a Circuit Rider.

Sue has recently expanded her horizons, taking on the role of actor in a one woman play about the life of Kentucky born and raised Sarah Ogan Gunning.  The play, written by noted songwriter, Si Kahn, is a 90 minute peek into life in the coal fields of Kentucky during the depression.  It brings back to life the important music and work of Sarah and her siblings Aunt Molly Jackson and Jim Garland.  Their music, over looked by most historical media for too long, was part of the repertoire of folk musicians Woody Guthrie and Pete Seeger during the early folkmusic movement.

“When one woman on a stage can hold the attention of an audience for nearly 90 minutes, you know something special is taking place.  I believe you've created a masterpiece, and you've found the perfect person to deliver it.  It was truly a privilege to be there.” Long time folk and bluegrass DJ Jim Rogers

“Sue Massek blew us away in her portrayal as Sarah Ogan Gunning.  Our audience of women miners wept, laughed, sang along, and rose to cheer Sue at the final curtain. We left inspired and newly aware of the history of struggle and the power of ordinary people.” Marat Moore, author of the book Women in the Mines:

Sue grew up in the flatlands of Kansas where she began performing with her mother singing old time gospel and songs handed down from her grandmother.  Her mother’s father called square dances and her father’s father played fiddle for county dances.  She continues to perform for local churches with her 87 year old mother, who is an accomplished musical instrument maker and carpenter.

Sue has called Kentucky home for nearly 40 years and is deeply devoted to Appalachia and the people who live there.  She is a flatlander by birth and a hillbilly at heart.

Friday, October 24, 2014

Elements of the Progressive Era! The New Folk Revival!


In, Kentucky...


Highlander school in Tennessee? What could be done and why does this all look familiar? Local folk musician John Gage is taking his Homefront performances over to Bellermine College to a celebration of Pete Seeger's life work. For Pete's Sake... All the Louisville activist groups in one tent!! There will be Greens, Kentuckians for the Commonwealth, The Kentucky Industrial Workers of the World, The Anne Braden Kentucky Alliance, the Louisville Socialists, ect.ect... Kentucky Jobs with Justice is working on  a minimum wage increase!!! WE GOT OUR EYES ON YOU!!!



Nathan Salsburg celebrates the Kentucky recordings of Alan Lomax. The KY IWW is bringing activist/labor folk musicians to town, their next project is the Sarah Ogan Gunning story. WTF! are you seeing RED... well Let's focus.... people! FOLKS!



The new folk revival should come from us.. Kentuckians! 



.. is it happening now? I think it might be, but we should all work together!!!

My questions if  Pete was here... How did y'all do it? How did it just seem to happen. Did you have an organized plan. For Pete's Sake let's do it again...


Education and training for the masses

We must undo what a few decades of no Child Left Behind has done to our recent generations! I have some idea's.. other people are doing and have done what we need to do.. let's do this some more.. the Folk Revival is happening again.. Why? Because we in Kentucky already know what we do best.. Sing! Dance! and have fun! We gotta fight for our right to party! wink.. wink.. a people's party! so...

"Yes, the long memory is the most radical idea in this country. It is the loss of that long memory which deprives our people of that connective flow of thoughts and events that clarifies our vision, not of where we're going, but where we want to go." Bruce "Utah" Phillips 1935 - 2008


So.. for Pete's sake.. lets push on.. lead on... in a massive attempt at taking back what is ours.. public ownership of public goods and services. Through serious community building and education!! Pete did it! The people.. We the People.. We must build our Sound Community! 





Wednesday, October 8, 2014

Why I am RWU....


In this video, I am telling a story about why I am so passionate about Railroad Workers United. Well, I am developing my story telling skills on stage, so let me explain the story I was telling better here on the Railroad Music blog... see.. Ron Kaminkow had been working on me to come to the RWU convention for several months. I joined RWU in 2009 and called him a couple of times and he knew as he said.in our RWU video. "he had a hot one." All his working on me worked... 

So, I get to the 2010 convention after driving straight for 7 hours and immediately meet Jen Wallis who is hanging out with Heather Boehlke. The hotel is starting to fill up with Labor Notes convention folks and RWU is trying to get us RWU all together so we can get some dinner, Jen, Heather and I went and sat down in the bar while we waited for the merry band to assemble. 

Heather's husband Jared was crushed to death in CSX Selkirk yard. RWU member Jon Flanders worked in the Selkirk yard and if I remember correctly was there the night he died. Jon brought Heather to the convention to talk about RWU's campaign to ban one person train operation. 

I remember almost every thing about this meeting in the bar. I can still see it in my mind like it was some kind of critical incident. I remember asking Heather questions about how this... and what that. She talked about the night her husband was killed and how the radio transmissions showed that Jared was asking for help changing a knuckle and how the yardmaster was kind-of bullying him. 

Then the tears started to fall. 


We sat on the couches in the corner as she told us that a CSX claims agent had called her the day of the funeral telling her lies about her husband, and that she needed to settle. This was my introduction to RWU and my first meeting with my RWU Co-Chair sister Jen. It was also my first "Union Convention" While she talked I was thinking about the night my boss, gave us our briefing about the fatality in Selkirk. I was an RCO operator at the time but this story was real, not like it was in the locker room a couple of months before hearing it first hand. 

After this very intense conversation we got our dinner party together and went out to eat. 

The next day started the convention. That night RWU hosted a party room where I was going to play my railroad music. I was also going to play one of the, if not THE most intense show that I have ever played. 

I started my set and as the music went.. people really got into the railroad stories and songs. I played my John Henry song about the Locomotive Engineer that beat down the Remote Job and a couple more tunes. Then Heather got up and told the story about her husband. I remember looking out at the folks sitting on the floor thinking that we were really blowing these folks minds. Ron Kaminkow, our RWU secretary spoke and them I played a couple more tunes. I played my song Nashville Bound about missing your kids and working long hours. Heather loved that tune and I remember looking at her while playing it. She was crying. I was touched and chocked up. Right in the middle of another tune.. one of our RWU members gets a phone call...

Matt Weaver a track worker from Toledo walks up to the mic to make an announcement. There has been another RCO fatality right here in Chicago at CSX Barr yard. A Remote operator has been thrown from her RCO locomotive and crushed. The room was silent. I played a few more tunes and then the night rolled on... 

I will never forget this night...


 and the words cannot be found for the chills that i feel in my body as I relive this through my keyboard. From that night on.. I have been a very proud RWU  leader, student and member.. Solidarity Forever.. and there is a war on the workers and it's time we started calling the shots. 


Sunday, September 28, 2014

Rail Yard Ghosts - RYG - Railroad Music..

A couple of years ago i met some folks at Heine Brothers in Louisville. They were just passing through. I could tell by the looks of them, that something was going on.. these were not your regular far out punk, rebellious youth.. I met the Rail Yard Fucking Ghosts. 

Being A railroader and a Folk musician.. I am not afraid of ghosts.. especially these ones.. We are of the same vibration... rebellious.. Anarchistic.. Mad.. Pissed off.. Wanting something more.. looking everywhere.. in the dark. in the shadows.. A sub-Culture of a Sub-Culture..real. raw and right in your face.. or sometimes... hidden and full of a mysterious beauty...

Riding the rails. 

Those steel rails that act like a magnetic ribbon waving for all that is lonesome, 

"Don't call me a bum"... I knew they would say that.. when I yelled that at them the night I met them.. 

These folks are doing what they said they would do, and that is more than I can say for some...They said that they would resonate with the wild frontier that is Americana.. don't be afraid of that word.. because us railroaders, hobo's whatever you want to call us.. Railroad Music is the thread buddy and that folk music quilt.. is being held together and built by us... railroaders, workers, musicians,.. so enjoy the Rail Yard Ghosts.. Download their record.. look for them.. and if you see them out and about.... don't worry.. they don' bite..in my humble opinion...
They fuckin' kick ass....




Saturday, September 27, 2014

Sun RA Arkestra. Welcome to Louisville


Why Sun Ra? 


Sun Ra was a leader. These days people have been taught, sometimes out of example.. or out of suspect that leaders are to be feared... but RA. A sun... you see, Sunny Re' sony Ra.. was born in a magic city. A place where dark was viewed as illegal. Against the Laws of Man... you see.. so an escape from this planet was needed... a re-birth into the unknown. To go Somewhere there. Now Ra... you see was a member of an angel race.. his home was out there.. in a place called space with the stars. The vibrations of the planets were his language... you see.. the Vedics, the Egyptians.. the outer worlds.. you see.. so to me.. disciples of a RA.. a Sun.. has descended upon Louisville. It's time to celebrate and to recognize that my people.. the fearless of the unknown.. are here.. in my City.. 


Marshall Allen was born in Louisville, KY.. so it is even more important.... that a Man.. of Free Jazz.. or ever more free than.. impossible.. you see, because no man is free from Death... So why Sun Ra.. the man.. the leader of a band of followers of a spiritual vibration.. from the stars.. you see.. they call the stars the heavens. Angelic Sound followers of a mythic alter destiny.. you see.. words can not explain. we will face the music.. We must listen to the cosmos song.. you see.. Today is examination day.. RA has arrived! that's WHY!


Tuesday, September 23, 2014

Folk Reporter and Folk Musician - Labor

Folk Reporter... Mike Elk sits with JP Wright, Locomotive Engineer Folk Labor Musician

We may have coined the term, folk reporter for this episode of Words, Sound and Power, but what we are actually having is an experience. A real human interaction. 

These days, that is a revolutionary action.

I live on the analog side of the digital divide. Pete Seeger was a folk musician, but he was also a reporter. His music was documenting a time of struggle. Woody Guthrie was a reporter, a field reporter. When Pete and Woody met? History was made and continues to be a source of inspiration for a new generation of artists, poets, writers and musicians.

Pete had another friend in the news room. Paul Robeson, and he had a motto. 

"We who labor in the arts, we who are singers, we who are actors, we who are artists. We must remember that we come from the people, our strength comes from the people, and we must serve the people and be a part of them" 

Mike and I wish in this meeting to add writers and reporters to that list. 

In this episode of Words, Sound and Power. I got a chance to sit down to talk with Mike while he was traveling through Kentucky. He was on his way over to report on the USW local 7-669 lockout at the Honeywell.


"The USW local 7-669 has about 150 members at the Honeywell Plant in Metropolis, IL.  Our plant processes uranium and we work around many extremely dangerous and deadly chemicals.  Together, with the support of our community, we have the strength in numbers to stand up against their unconscionable corporate greed.  We have no fear of raising ALL safety issues with Honeywell, OSHA, NRC, and the EPA.  This helps the plant runs as safely as possible while protecting our members from unfair treatment.  We are the guardians of safety."


http://usw7-669.com/





I wanted to talk to Mike about the term Folk Labor Reporter, but this conversation is like chasing a deer through the woods. We end up everywhere.  Many folks are looking to internet crowd sourcing to fund their projects. A group of punk folk railroad friends of mine the RailYARD Ghosts traveled to Europe using this method. Non-profits and Labor groups are also using this new method of fundraising. So there.. Folks.. This is Indi- DIY whatever.. Folks helping out folks and showing support!!

Mike works the labor desk at POLITICO... and I am guessing, sort of like art and music in schools, its the first to get cut. Like the model that Superman was dealing with at the Daily Planet... they gotta sell papers... So how to get to Metropolis. But this time, it's real. In Illinois and he is broke. He has the Labor Reporter Blues.. so he turned to his supporters to fund the trip. His Labor Desk is on the road. Staying with supporters, getting to know the people and what they are dealing with.

Mike and I have a lot in common. His father is a long time United Electrical (UE) organizer, My Father is an IBEW union contractor. We both come from very union labor activist mindset families. My mother was an activist back in the UofL anti Apartheid days and worked closely with Anne Braden. While Mike was reporting on the UAW Volkswagen story in Tennessee, he mentioned that someone had mentioned a term : Braden Southern Organizer.. so... 

When Mike arrived, I was sort of on break from a major national drive that my Railroad Workers United organization had completed. We fought back against a SMART union supported contract on the BNSF railroad that would have allowed for one operator trains in the USA. Kinda historical in nature. I wanted as any good host would, to give him a taste of  Kentucky and my hometown of Louisville. I also wanted to show him directly what a Braden organizer was. Me. I also sat his ass in her chair at the Carl Braden Memorial Center, and in real highlander school fashion ... 

we went to an Alan Lomax presentation of Eastern KY music and culture put on by a local musician who is the digital curator of the Lomax collection. Then we went to a party at an art warehouse where I got a chance to play music around a wonderful fire with some real rail hobo friends of mine who had hopped trains into town for the National Jugband Jubilee festival held yearly on the Ohio river. Mike got a chance to meet a real Anne Braden southern organizer, K.A Owens who is the Director of the KY Alliance, Anne Braden's legacy organization.

 Y'all already know I'm a working Locomotive Engineer and that I am a delegate for my I.W.W Kentucky GMB.....but no!  folks....  

this is not some old history, or something that has happened way in the past. It is a Folk Labor Musician and a Folk Reporter becoming better friends.. Friends in the struggle trying to tell the people's story regardless of how many papers or CD downloads it sells. 

Solidarity 
J.P Wright 
Louisville, KY
www.railroadmusic.org

P.S
Yes we drank Bourbon and went to White Castle.. I tried to warn him.. but that's the rest of the story...

Sunday, August 31, 2014

The Show at the Depot L&N

The Railpark show in Bowling Green, KY






On 08/30/2014 I was called in on the carpet for a show at a railroad museum in Bowling Green, KY. I drive trains right past this place almost every day. I had never been to the joint. A rail fan photographer had heard about me from a fellow engineer so he asked me to be the guest speaker at their monthly get together, I had a blast, to say the least, I mean just look at the theater. I sat on a carpet with the Long and Nasty logo, L&N. When I tap my foot, you are hearing me play the floor of a train station that is a serious part of why Bowling Green, KY is the town that it is. The L&N is as much a part of Kentucky history as Bourbon and Horses. Maybe that is what this little ol Depot could do. Combine the railroad with a bourbon tasting and drive a corvette day.. well.. there I go organizing.. just enjoy the show and stories.. I sure did.. to say the least... jp

Sunday, August 10, 2014

I've Been Working On The Railroad



           I have been working on the railroad... All the live long day, 12 hours a day and then 24 or more at the hotel and then 12 at home. Railroaders work long hours, alone. Thinking about kids, and what you might try to do when you get back home. Sometimes it is so loud in the cab, that trying to talk to your co-worker is an impossible task. Yelling from across the engine. Miles and hours go by, looking out the window, looking for a change in scenery, that mostly stays the same.

          We glide into town from the north. past Johnny Cash's Amqui station and into town trough empty back yards. Over the Cumberland river and then directly into the main vein. We stop, right behind Union Station. Louisville to Nashville, 187 miles from Station to Station, the old Mainline. L&N. Homeless folks come and go as the police come and make them leave. The underpasses and woods are littered with a temporary reminder that some don't "make it." Occasionally you might see a person walking around with a guitar. I wonder.. really? You meet folks at the hotel, getting ready for some try out. Dreaming of that fame and looking for a win.



          The sons of Pullman Porters and the sons of engineers from Birmingham, Louisville, and Evansville stay in a hotel in Nashville out by the airport. I have lived away from home for over 10 years at a Holiday Inn. I ain't go no home, at least for 1/2 of my life. Nashville could be my second home, but I'm more like a refugee. The town that we built, is not interested in us anymore. Railroaders have been ousted from historical relevance by a corporate dream of progress.

          Country music was born of song from folks and struggle, extracted from a mountain or from a want to explore the bright lights of the town. The lights are so bright now that some can't see the source. Folks are sitting in the audience. Lost. When WSM - William Smith Monroe sang Muleskinner Blues on the grand ol opry.. that was the beginning. Something happened. The ship is sinking. the Titanic sounds of country music and the Amplitudal Modulation has not changed in many years.

           The hotel smells like an Avon convention, as country music touristas filter in and out. Leaving for the night to experience Nashville and all of her Disney style country fame. Nashville is a woman. sometimes a woman dressed in a cowboy hat, short skirt and boots, yelling Y'all come, but now she is just as lonesome as I. She used to be the country queen broadcast from a high tower on the outskirts of town. Now she is a whore..hocking some ME rica,  just a used to be, selling herself as something that was. Historically speaking!




Thursday, July 31, 2014

Railroad Music is... the thread in the quilt that is Americana!



Railroad Music is... the thread in the quilt that is Americana!

Buy Something.... ??? CD BABY Link is Here... Or check it out below!





I Offer my music up..in the old folk music fashion! Free.. but I ask that you purchase a download or two please... I offer my music to folks to use for projects and fundraisers.. tell folks about me and let's keep folk music what folk is meant to be.. for the people.. send me an email below...

Get in touch with me here... 


John Paul Wright
Louisville, KY
502-553-0495
USA


Sunday, July 27, 2014

Fellow Workers dot dot dot.


I dedicate this rant to Harold Maier ! MY Shams.. wink wink... not to suggest that i be Rumi.. or some shit like that! 




Fellow Workers:



I have been reading the responses of hundreds of railroaders over the last several days. I love railroaders, yet they know not what they do or why but... The jury is out, NO!!!! but.. the union will sell this agreement and it will most likely pass. The railroad will get it's way. Why.. historically they always have.. we have a serious lack of Union leadership on the railroad. They tell us that THEY don't support this agreement, but from their glass houses they make these statements! Which side do we throw the rocks? Which side are we on? DEBS WAS WRIGHT! he he lol, ROLFL shhhh thats CODE. Let the News Speak! ME die... MEdia! RA! RA! RA! 

The "union" leaders are the ones making the agreements!
They make them while drinking victory coffee and smoking victory cigarettes. Dictating them from a corporate telescreen.. called Labor Relations. The corporate Newspeak for.. Big Brother. AKA CEO... LOVE BIG BROTHER! NLRB NMB...

The workers of the world have two sets of chains shackled to their feet and these shackles are wrapped around their minds! HIS Story Repeats IT's SELF. The Long Memory is endless.. and Revolutionary. Our HISTORY is endless. To er is Human! Tell the Workers the truth.. The Babylon system is the vampire! IWW or WWIII? militarily.... 



To maximize profits; to.. SUCK it out -- to the shareholders: you must eliminate Human factor (errors) .. Behaviors, thoughts and feeling. Breed a culture of fear based anti human agenda derived from the mathematical elimination of truth . Decisions made by machines... This is Madness! That commands your SOUL... Automatic, Push button... Remote Control Operations.... Sick Sigma.. A cult.. OR WELL.. lets call it CORSOC! 

For years Labor has used their brand to become the megaphone for the Democrats, the UAW used to sit down, now they stand up and campaign not for themselves, but for a political party that uses them. The auto industry is saved! While the workers take it on the chin, in the gut and in the pocket book. I will admit that i was tricked by the Democrats.. but never again will i vote for the lessor of two evils again. well... there is an alternative.. a social one. 

CAPITAL VS. LABOR 


The McCarthy era and the rise of Business unions? Compassionate Capitalists, Warren Buffet, and the Bill and Malinda Gates foundation? The rise of corporate education, The fight for the soul of Public education? CORE? The Democrats for Education reform? PEOPLE.. wake up! The war economy, terrorism and HOMEland security?

BIlly Sunday and the continuation of a religious right that drinks the kool aid of a media frenzied Libertarian branded Tea party? Prohibition and Jim Crow anti Democratic Capitalism? WTF really? Privatization is THEFT draped in an American flag that is dripping with blood.. from decades of insane foreign policy decisions made by ex- CEO's? 

Then the children came.. Without their parents and they were hungry.. and we say....send em back! To the cotton fields, to pick coffee and bananas because they ain't got that do re me! BOYS! 

It is the dust bowl all over again.. A dust that covers the eyes and clogs the ears of a people who have become the arm chair quarter backs of their own demise, A monstrous black cloud of pesticidal apathy has spread across our once pastures of plenty. The pastures that are now owned and operated by Monsanto and ADM. They have stolen our food and poisoned our water. Vaccinated us and corralling us in their bills.. and behind their Gates... in a zone of Freedom speech... shhh... 

(It is, what is) and we could rise up against it. yet is not? or is it this question? Have we as a people become so blind not to realize that every day is judgment day? An Examination day!! RA! RA! RA! One Thousand nine hundred and Eight Four more words could come but I think i better get to the POINT! ... Period. ect.ect ... 

This is not a conspiracy theory.. it's called Capitalism. Biblical in proportion. JESUS! GREED.. Violence.. Murder.. Death.. call it what you will... at least tell the truth... 

I am faithful that King was having a vision! We will make it to the promise land.. One day.. We shall overcome.. Someday. I hope.... 

Yours for the ONE big UNION!

FW JP

CC. Jesus, Eugene Victor Debs, The Last Poets, Utah Phillips,Upton Sinclair, Sun RA, George Orwell, and Karen Lewis