Wednesday, October 29, 2014

Precious Memories - Sarah Ogan Gunning


The Kentucky Industrial Workers of the World Presents!
Precious Memories
a new play by
Si Kahn
Starring
Sue Massek
Thursday November 20th
7:30 pm 
Chapel of St. Phillip Divine. 
230 Woodbine St.
Louisville, KY 40208
$15.00
contact
JP for more info
502-553-0495
SUE MASSEK STARS IN SI KAHN’S NEW MUSICAL PRECIOUS MEMORIES


To hear Sue Massek’s high lonesome voice and frailed open back banjo is to travel 80 years back in time.

When Sue takes the stage in Si Kahn’s new play with music Precious Memories, she time travels all of us back to 1932, to the Bell County, Kentucky coal camp in which she was born and raised.

But she doesn’t just transport us, she mesmerizes us.  Long time folk and bluegrass DJ Jim Rogers, who was in the audience when Sue performed Precious Memories to open the first ever Northern Appalachian Folk Festival in Indiana, Pennsylvania in September, 2013, wrote to Si Kahn the morning after:

“When one woman on a stage can hold the attention of an audience for nearly 90 minutes, you know something special is taking place.  I believe you've created a masterpiece, and you've found the perfect person to deliver it.  It was truly a privilege to be there.”


It’s no surprise that Sue Massek can generate that kind of musical and artistic power. She’s a founding member of Kentucky’s award-winning Reel World String Band, which celebrates its 35th anniversary this year.  No less an authority that Lily May Ledford of the original Coon Creek Girls wrote:

“You don’t see many people up on stage who’ve got fire.  But you girls have got it.  Lord, you girls are good!”

A master artist for the Kentucky Arts Council's Master/Apprentice program, Sue Massek has taken her music as close to home as the Eastern Kentucky coalfields and as far away as Italy.  Most recently, she performed Precious Memories for a reunion of women coal miners.  Marat Moore, author of the book Women in the Mines: Stories of Life and Work and a former miner herself, wrote afterwards:

“Sue Massek blew us away in her portrayal as Sarah Ogan Gunning.  Our audience of women miners wept, laughed, sang along, and rose to cheer Sue at the final curtain. We left inspired and newly aware of the history of struggle and the power of ordinary people.”


Sarah Ogan Gunning certainly fits that description of “the power of ordinary people.”  A self-described “miner’s wife” from Bell County, Kentucky, she watched one of her children starve to death and another die of tuberculosis; she herself lost a lung to the disease.  One brother was killed in the mines and another disabled; her first husband died of black lung when he was 32.

It was the old time music of the mountains that helped keep her going.  She shared with her brother Jim Garland and her half-sister Aunt Molly Jackson a great oral family collection of traditional songs, many of which were recorded for the Archive of Folk Music at the Library of Congress.

It was the music, too, that took Sarah, Jim and Aunt Molly to New York City’s Lower East Side in the early 1930s, where for the first time in her life Sarah found recognition, singing with Woody Guthrie, Huddie (“Lead Belly”) and Martha Ledbetter, the 15 year old Pete Seeger, becoming friends with some of the great writers and actors of that time, from John Dos Passos and Theodore Dreiser to Sherwood Anderson and Will Geer, later to become even more famous as Grandpa on The Waltons.

Precious Memories takes place in real time on September 4th, 1960, the day on which Sarah’s half-sister Aunt Molly Jackson was buried.  By that time, Sarah was all but forgotten, living in a basement apartment in a run-down section of Detroit, only singing in church and to the four walls.

Three years later, on October 8th, 1963, legendary folklorist and labor historian Archie Green, who had been searching for Sarah, knocked on the door of her basement apartment in Detroit. 

For the next 20 years, Sarah Ogan Gunning brought and taught her songs, both old and new, to people all over North America.  She appeared at the Newport Folk Festival, singing from the same stage as Joan Baez, Bob Dylan and her old friend Pete Seeger.  She sang at the Smithsonian Festival of American Folklife on the mall in Washington DC, she sang at Carnegie Hall, and she served as an inspiration and mentor to many young women musicians, including Sue Massek.


On November 14th, 1983, during an evening spent singing with family and friends, Sarah Ogan Gunning quietly and peacefully slipped away. 


With over a half century of performing experience, Sue Massek’s journey has taken her throughout the United States, Canada, Italy, Guatemala, and Nicaragua. She has performed as a solo artist and as banjo player for The Reel World String Band since it beginning in 1977.  For over 37 years Reel World has used its music as a tool for social justice in venues as diverse as community centers in the coal fields of Appalachia to the Lincoln Center in New York City.  They were the Kentucky Conference for Community and Justice 2011 Lauren K. Weinberg Humanitarian Award Honorees.

Sue has worked as an artist in residence in schools throughout the United States for over 3 decades including dozens of residencies in Kentucky through the Kentucky Arts Council’s Artist in Residence Program and Very Special Arts Kentucky.

Sue has completed several folklife resource surveys as Kentucky’s very first Community Scholar and she is now a Master Artist for their Master/Apprentice Grant Program.  She also has apprenticed under several legendary Kentucky artists including Lily May Ledford, Clyde Davenport and Blanche Coldiron, as well as working with nationally recognized traditional artists, Oscar Wright, Jimmy Driftwood, and Guy and Candie Carawan.

"Here's to Sue Massek, consummate musician and social activist. Sue brings together a light touch on the banjo, a fine representation of traditional mountain music, a polished skill at songwriting and a genuine dedication to social justice. She is a delight to hear and a pleasure to work with."
Guy & Candie Carawan


Sue has recorded three albums as a solo artist, Precious Memories: The Songs of Sarah Ogan Gunning, Brave is the Heart of a Singing Bird and Searching for Shady Grove.  Reel World has recorded seven albums over the years and appeared on several other compilation projects.  As a songwriter, Sue’s songs have been played in over 21 countries around the world. Her song Brennen’s Ballad was the inspiration for award winning writer, Silas House’s book, Recruiters.

Sue has worked as a cultural organizer for Kentucky Foundation for Women, Appalachian Women’s Alliance and for the Kentucky Arts Council as a Circuit Rider.

Sue has recently expanded her horizons, taking on the role of actor in a one woman play about the life of Kentucky born and raised Sarah Ogan Gunning.  The play, written by noted songwriter, Si Kahn, is a 90 minute peek into life in the coal fields of Kentucky during the depression.  It brings back to life the important music and work of Sarah and her siblings Aunt Molly Jackson and Jim Garland.  Their music, over looked by most historical media for too long, was part of the repertoire of folk musicians Woody Guthrie and Pete Seeger during the early folkmusic movement.

“When one woman on a stage can hold the attention of an audience for nearly 90 minutes, you know something special is taking place.  I believe you've created a masterpiece, and you've found the perfect person to deliver it.  It was truly a privilege to be there.” Long time folk and bluegrass DJ Jim Rogers

“Sue Massek blew us away in her portrayal as Sarah Ogan Gunning.  Our audience of women miners wept, laughed, sang along, and rose to cheer Sue at the final curtain. We left inspired and newly aware of the history of struggle and the power of ordinary people.” Marat Moore, author of the book Women in the Mines:

Sue grew up in the flatlands of Kansas where she began performing with her mother singing old time gospel and songs handed down from her grandmother.  Her mother’s father called square dances and her father’s father played fiddle for county dances.  She continues to perform for local churches with her 87 year old mother, who is an accomplished musical instrument maker and carpenter.

Sue has called Kentucky home for nearly 40 years and is deeply devoted to Appalachia and the people who live there.  She is a flatlander by birth and a hillbilly at heart.

Friday, October 24, 2014

Elements of the Progressive Era! The New Folk Revival!


In, Kentucky...


Highlander school in Tennessee? What could be done and why does this all look familiar? Local folk musician John Gage is taking his Homefront performances over to Bellermine College to a celebration of Pete Seeger's life work. For Pete's Sake... All the Louisville activist groups in one tent!! There will be Greens, Kentuckians for the Commonwealth, The Kentucky Industrial Workers of the World, The Anne Braden Kentucky Alliance, the Louisville Socialists, ect.ect... Kentucky Jobs with Justice is working on  a minimum wage increase!!! WE GOT OUR EYES ON YOU!!!



Nathan Salsburg celebrates the Kentucky recordings of Alan Lomax. The KY IWW is bringing activist/labor folk musicians to town, their next project is the Sarah Ogan Gunning story. WTF! are you seeing RED... well Let's focus.... people! FOLKS!



The new folk revival should come from us.. Kentuckians! 



.. is it happening now? I think it might be, but we should all work together!!!

My questions if  Pete was here... How did y'all do it? How did it just seem to happen. Did you have an organized plan. For Pete's Sake let's do it again...


Education and training for the masses

We must undo what a few decades of no Child Left Behind has done to our recent generations! I have some idea's.. other people are doing and have done what we need to do.. let's do this some more.. the Folk Revival is happening again.. Why? Because we in Kentucky already know what we do best.. Sing! Dance! and have fun! We gotta fight for our right to party! wink.. wink.. a people's party! so...

"Yes, the long memory is the most radical idea in this country. It is the loss of that long memory which deprives our people of that connective flow of thoughts and events that clarifies our vision, not of where we're going, but where we want to go." Bruce "Utah" Phillips 1935 - 2008


So.. for Pete's sake.. lets push on.. lead on... in a massive attempt at taking back what is ours.. public ownership of public goods and services. Through serious community building and education!! Pete did it! The people.. We the People.. We must build our Sound Community! 





Wednesday, October 8, 2014

Why I am RWU....


In this video, I am telling a story about why I am so passionate about Railroad Workers United. Well, I am developing my story telling skills on stage, so let me explain the story I was telling better here on the Railroad Music blog... see.. Ron Kaminkow had been working on me to come to the RWU convention for several months. I joined RWU in 2009 and called him a couple of times and he knew as he said.in our RWU video. "he had a hot one." All his working on me worked... 

So, I get to the 2010 convention after driving straight for 7 hours and immediately meet Jen Wallis who is hanging out with Heather Boehlke. The hotel is starting to fill up with Labor Notes convention folks and RWU is trying to get us RWU all together so we can get some dinner, Jen, Heather and I went and sat down in the bar while we waited for the merry band to assemble. 

Heather's husband Jared was crushed to death in CSX Selkirk yard. RWU member Jon Flanders worked in the Selkirk yard and if I remember correctly was there the night he died. Jon brought Heather to the convention to talk about RWU's campaign to ban one person train operation. 

I remember almost every thing about this meeting in the bar. I can still see it in my mind like it was some kind of critical incident. I remember asking Heather questions about how this... and what that. She talked about the night her husband was killed and how the radio transmissions showed that Jared was asking for help changing a knuckle and how the yardmaster was kind-of bullying him. 

Then the tears started to fall. 


We sat on the couches in the corner as she told us that a CSX claims agent had called her the day of the funeral telling her lies about her husband, and that she needed to settle. This was my introduction to RWU and my first meeting with my RWU Co-Chair sister Jen. It was also my first "Union Convention" While she talked I was thinking about the night my boss, gave us our briefing about the fatality in Selkirk. I was an RCO operator at the time but this story was real, not like it was in the locker room a couple of months before hearing it first hand. 

After this very intense conversation we got our dinner party together and went out to eat. 

The next day started the convention. That night RWU hosted a party room where I was going to play my railroad music. I was also going to play one of the, if not THE most intense show that I have ever played. 

I started my set and as the music went.. people really got into the railroad stories and songs. I played my John Henry song about the Locomotive Engineer that beat down the Remote Job and a couple more tunes. Then Heather got up and told the story about her husband. I remember looking out at the folks sitting on the floor thinking that we were really blowing these folks minds. Ron Kaminkow, our RWU secretary spoke and them I played a couple more tunes. I played my song Nashville Bound about missing your kids and working long hours. Heather loved that tune and I remember looking at her while playing it. She was crying. I was touched and chocked up. Right in the middle of another tune.. one of our RWU members gets a phone call...

Matt Weaver a track worker from Toledo walks up to the mic to make an announcement. There has been another RCO fatality right here in Chicago at CSX Barr yard. A Remote operator has been thrown from her RCO locomotive and crushed. The room was silent. I played a few more tunes and then the night rolled on... 

I will never forget this night...


 and the words cannot be found for the chills that i feel in my body as I relive this through my keyboard. From that night on.. I have been a very proud RWU  leader, student and member.. Solidarity Forever.. and there is a war on the workers and it's time we started calling the shots.